Thursday 11 July 2013

POWERS OF MIND (1)

POWERS OF MIND
1

Previous References:-





You must read the above pages before you read the following to get the full picture.


We have discussed the individuality consisting of three personalities and their ranges of activities followed by the resultant out-puts in terms of conditions enforced and contents blessed. These personalities are based on the three basic constituents of our beings; and they are body, mind and intellect, grossest to subtlest, in that order. Our gross body is made up of physical body and the Pranas. The five fold faculties (पञ्च प्राण), which correspond to the five physiological systems detailed by the biologists, represent the Vital-Air-Sheath. The five faculties (Pranas) comprising this sheath, are:-
(i)     Faculty of Perception (प्राण):- that controls the five-fold perception, viz., seeing, hearing, smelling, tasting and touching.
(ii)    Faculty of Excretion (अपान):- That controls the throwing out or rejecting by the body of excreta such as faces (excrement), urine, sperms, sputum, perspiration etc


(iii)    Faculty of Digestion (समान):- Is that which digests the food received by the stomach.
(iv)   Faculty of Circulation (व्यान):- Is the power by which the digested food is distributed to the various parts of the body through the blood stream.
(v)    Faculty of Thinking (उदान):- Is the capacity to entertain, absorb and assimilate new thoughts. This capacity helps a person to acquire knowledge and educate himself.

The physical body contains ten important organs (five organs of action and five of perception). They are popularly known as Karmendriyas (कर्मेन्द्रियाँ) and Gyanendriyas (ज्ञानेन्द्रियाँ). I don’t have to go into details of these as this is a basic observation and knowledge of even mediocre people. These total ten Indriyas (organs) are governed and regulated by the mind (मन). This Mana or mind is the most important factor controlling every thing connected to our individual world of experiences.

The human personality is defined by the quality and the texture of the mind and the intellect. The religion helps man to rehabilitate his personality by chastening the mind and educating the intellect. By improving the state of his mind and developing a sense of subtler discrimination man enjoys a happier and more harmonious relationship with the ever-changing phenomena of the external world of things and beings. For this reason the whole religious literature of the world, the volumes of different scriptures, the preaching imparted and directions given by all the sages and saints over the entire past, one way or other, only try to examine and explain the methods and manners related to chastening of this mighty factor called MIND or (मन), and sharpening the regulatory device in our constitution, called Intellect (बुद्दि). This chapter is going to deal with these two, but, of course, within the limits and the abilities of the person behind this key board. I must confess that this is going to be a difficult and all encompassing topic, so please cooperate.
  
Mind (मन)

Since, the mind controls all ten Indriyas, it is considered in our Vedas as the king of Indriyas, the head of all heavenly dwellers, the Indra (इन्द्रियानाम राजा सः इन्द्र राजा). If you go through the Mantras portion of the Vedas (also known as Samhitaas), you will come across many of these mantras invoking Indra. The Upanishads are said to be the culmination of knowledge and therefore are the main scriptures dealing with the Vedanta. (Vedanta = VEDA + ANTA, where the word Veda means knowledge or wisdom). The Vedas are also called Shrutis. Literally the word Shruti means “what is heard”. In Hindu tradition, a category of sacred writings understood to be the direct revelation of Eternal Truth. The Vedas are said to contain four parts, and they are the Samhitaas, the Brahamanaas, the Aranyakaas and Upanishads. These revelations in each part of the above category are termed separately. For example, a revealing verse in Samhitaa is called a mantra while the same in the Upanishad is termed as Shruti. The other Vedantic scriptures are Brahmasutras and Gita.


The Upanishads are the explanations of highly evolved and enlightened Rishis. These Rishis some times were approached by extremely dynamic, curious and receptive disciples, may be at their aashramaas, to get enlightened into the realms of Absolute Truth. There, they were not only explained the Absolute but also the methods and means to reach that state. The Mana or mind, as of the necessity, was considered a major role player in that voyage. These discourses (mostly one sided) became the contents and themes of Upanishads. The Shrutis or the revelations by the Rishis, available in these sacred books, are very precise in nature and condensed with compact wisdom. I shall take such Shruti declarations later, but here we are discussing the mind or mana. Let us examine how a Shruti advises the aspirant.

The Shruti says, a seeker of absolute truth must discipline his mind and its ten extensions first, and then only strive for truth. In due course, the truth will dawn in his bosom. And in cases these ten Indriyas and the mind are not properly disciplined and educated, the mission will be a race against impossible, and will cause irreparable damages.

         A Rishi might have whispered above stated advice in to the

 ears of the obedient disciple. The disciples, those days, 

approaching to a Rishi, were far better equipped in the field of 

astuteness and sincerity than the pseudo-intellectuals and self  

proclaimed mahatmas of our time. They possessed clean minds, 

were ready to obey and came tothe Rishi with receptive intents, 

with un-deterring determination to seek the Truth. The things are 

different these days. Most of the saffron clothed men these days 

became saadhus as they are incapable to do any other useful work 

to maintain their livelihood (नारि मुई गृह सम्पति नासी, मूंड मुंडाई भये सन्यासी)

And with the prevailing 

traditions in our country, such 

people do get not only a 

better living while doing 

nothing, they also get a 

respectable status and some 

times abundant of luxury and 

wealth.Shankara once warned 

about such saadhus and said, “These typicaly shaved heads,or long 

dangling hair, the orange coloured cloths and variety of  make-ups 

all over the body, adopted by these people, O Fool, even having all 

seeing faculties intact can’t you see that these are only for the 

purpose of easy livelihood :-

जटिलो मुंडी लुन्छित केशः,

काषायांबर वहुकृत वेशः,

पश्यन्नपि च न पश्यति मूढो,

उदर निमित्तम वहुकृत वेशः
.

The Vedic days were over and the Truth became more and more difficult to seek. The minds of the people were not as pure and receptive as of the ancients. The ego started dominating the three personalities. The Shrutis in that ambiance became too dull and ineffective. Even the aspirants started enquiring for the easier and entertaining ways to wisdom. The same trend continues till date, nay, it has worsened. Now, most of the people think that by a magic touch of some so called Mahatma or Saadhu, they will get rid of all the sins they have committed and will turn virtuous, in return of the money they had offered. They want short cuts where no effort is needed. My teacher in his first letter to me very strictly stated, “If you think by a magic touch somebody is going to make you spiritual, you are dreaming. Religion is not cowards...” So it is. But during the age of epics and puranaas, though the condition was not as bad as of the present, but needed different and easier ways to contemplate on the philosophical dictions. It was for this reason the later thinkers and philosophers decided to change the tactics. To
educate delicate truths envisaged by the Rishis in simpler way, and keeping the real intents of Upanishadic doctrines intact, they used the method of allegorical illustrations. These thinkers of that time developed a unique method of creating some very attractive and compendium like stories. They hid the philosophical beauty of the contents of the Upanishads beautifully in the texts of those ancient books. Each of those puranic characters and stories, if analyzed properly by an intelligent seeker, can unfold the wisdom of our Rishis beautifully wrapped in the form of a poetic gift pack, left so lovingly for us. This was done the way we give a gift to a baby on his/her birth day. We beautifully wrap the precious and loving gift in a packet, keeping the curiosity of the baby alive and leave him/her to find out the contents by him/her self to understand and enjoy the real gift. (By the way, even these little children unwrap the covering and find out the real gift, but we, unfortunately don’t do the same thing with the precious gifts of knowledge and wisdom left for us by our loving forefathers.) Let us examine at least one ancient epic in the light of the intent of Rishis and search for the gift they have so kindly left for us. We will take Ramayana today for this purpose, because it happens to be the most popular epic delineating Hindu way of life comprehensively. But first of all let us refresh the idea of the Rishi so simply worded.

The Rishi said: A seeker of absolute truth must discipline his mind and its ten extensions first and then only strive for truth. In due course, the truth will dawn in his bosom. And if these ten Indriyas and the mind are not disciplined and educated properly, the mission will be a race against impossible, and will cause irreparable damages.

How should an epic poet and a Hindu-philosopher-thinker deal with this idea? We must remember that the idea was to be wrapped by an appropriate and attractive story-cover, keeping the intent of the gift inside it. This was to be done in such a way that an intelligent seeker can discriminate and grasp the essence of it and at the same time it should sooth the hearts of the people who are not so sharp in the realm of introspective thinking and intelligence. The seekers of the later times were, thus, required to be advised in great details about the possibilities of nuisances that could be sustained by this mighty MIND. Let us examine here the advice of the Shruti in the contents of Ramayana.

The poet-philosopher of Ramayana to depict the aforesaid idea first created two opposite characters with the base word दश meaning ten. The first character is Dasharatha who represents the first segment of the Rishi’s advice. Please make a note of the beauty and the characterization of the poet. A Ratha meaning chariot is being driven by ten horses. A normal chariot will be driven by only two or four horses and never by ten, but in Vedic literature the number of horses pulling the chariot was always symbolic. The chariot of sun is said to be driven by seven horses and those seven horses represent the seven colours of spectrum. The ten horses in Dasharatha symbolize the ten Indriyas. Naturally, the poet made no mention of the horses separately, but in the name
of the character, the word दश included the sense of horses as well, or else how a chariot or a ratha will move? In this portrait of Dasharatha, we have three main ingredients, viz, ten horses, the charioteer and the structure i.e. the Ratha, or the chariot it self. The ratha also includes a destination in its undertones because the same with the ten horses pulling it is supposed to have a movement and destination, to prove its name. The horses that drive the chariot are well trained and are always under the strict and watchful control of the person who is driving the chariot (the charioteer) holding the reins of those then horses. No charioteer can afford to employ untrained or recalcitrant horses to drive the chariot. So the picture is like this. There is a serviceable chariot (our body) driven by ten trained horses (ten Indriyas) and an efficient charioteer (Mind) that constitute the personality of a character called Dasharatha, as designed by the brilliant poet. This character represents first segment of the advice whispered by the Rishi to his dynamic disciple. As a result, Dasharatha, (the right seeker of truth) gets duly rewarded. The Supreme Self (Rama)(यः रमन्ति सर्वाः सः रामः) is born in his house. Even the earthly prosperity and peace represented by Sita is betrothed by Rama and brought in his dwelling as his daughter-in-law.

         On the other hand as a contrast to the first character, the second character of the epic is Ravana, the ten headed Asura (दशानन), created so to depict the other extreme possibility of Mana. Dashanana, naturally has a different psychological constitution that could represent the darker and dangerous aspect as against that of Dasharatha. Here also the word Dash or Ten represent the same number of Indriyas, but instead of showing them as horses, they are portrayed as heads. This way of portrayal, which is so popular among modern cartoonists, shows that the Indriyas acting like heads are very much independent in their nature and subsequently are stubborn, indiscipline, turbulent and recalcitrant. About the heads, there is a popular saying that each head has a peculiar tendency totally different from the others (मुंडे मुंडे मतिर्भिन्ना), and therefore, in the present context, all of them face in ten different directions and have different likes and dislikes. Their contradicting motives, intentions, and cravings are bound to create confusions in the individuality. Incoherence created by pulling or pushing of these ten Indriyas in divergent directions, destabilizes the whole purpose of life. Also, in the character of
Ravana we don’t find a charioteer like segment (MIND) as available in formulation of the character of Dasharatha. This evidently shows that the heads representing Indriyas in the character called Dashanana do not have a central authority to control or regulate them. The consequent result of the life of such character is prophesied in the ending segment of Shruti by the Vedic Rishi, which virtually was a warning. In the story of the epic this character steels the prosperity and peace (Sita) and forcibly brings her to his possession, does every thing on his disposal to preserve that stolen virtue, but miserably fails. He gets destroyed along with every thing he possessed. The ruler of the golden Lanka(the body) is destroyed by the very Self (Rama) who on the other hand blessed Dasharatha.

Isn’t the depiction wonderful? Two psychological ends are brought to life and a grand epic is written by the master for the successors to enjoy, learn the values of life and also to investigate and find the sacred gifts of the Rishis so nicely placed in the text of the epic-characters. There are various other psychological and philosophical ideals or views personified and became living characters in the same masterpiece. The numerous stories contained in bulkiest books called puranas also do illustrate some or other ideal or ideology or Vedic truth, and that could easily be unwrapped and found by any diligent seeker. Even the portraits of deities like Vishnu, Brahma, Shiva, Ganesha, Lakshmi, Saraswati, Parvati, Durga etc, are also wrapped so that they contain abundant of philosophical gifts for us, left by the masters of yore. Do we care to open the wrappings and ever see the beauty of the ideas hidden there in? No, never. We appear to be content with the visible and overt covering, enjoy it, and curse those who even try to delve deep in search of the inherited treasures in those wrappings.

Even if I wish, I cannot explain every Puranic character in the way I did here about the two character of Ramayana. That will be a voluminous work, which I cannot afford to do on these pages. I have some other plan for this blog. So, I humbly request you to do that yourself. Or get guidance of someone who is conversant with such analysis. This essay is still incomplete but has already covered space of over a thousand words. So, here I end the present discussion, and hope to come back soon with the subsequent information’s on the present issue.

Good bye. Good Luck.


OM TAT SAT

Yaduraj Singh Bais

 First Post: It's Never Late Contemplate on the Values of Shastras
http://yaduraj1.blogspot.in/2013/07/its-never-late-contemplate-on-values-of.html

Second Post : Three Layers of Personality and Happiness

 Third Post : The Passage to endless Strength and Courage







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